The
Ninth Arrest by Barth Anderson
You
made a terrible mistake and now you're paying for it. Blood pours down your face
from a stabbing crown. Nails have fixed your palms to a hand-hewn beam.
Somewhere in the amber heat, a man shouts your name. Is that Judas coming to
save you? No. Once the Roman governor flogs and condemns you, you always go to
the cross. Not even Judas can stop it. "It
is useless," you say finally and let your head drop to your chest. Darkness.
Then more darkness. You lift your head again and take a sharp breath of fear at the sight of servants drawing back curtains to reveal a desert at dusk. Cut branches with nubs of green-gold dates hang in the doorways, and your twelve students relax on wine-colored divans beneath merry oil lamps. You're back in the house of Lazarus - the man who died and came back to life. You came to Lazarus' house after entering Jerusalem in triumph and now you have relived this scene six times total. Passover is in five days and so is the brutal arrest -- and the horror that follows. You
massage your right palm with your thumb, remembering a hammer striking a nail.
The world is broken, you realize, and it's your fault. "Judas?"
Judas
sits at Lazarus's desk, transcribing the Book of Zechariah into common Aramaic
for the sixth time. You gave him the Scriptures yourself, hoping Judas would
discover the story of the Messiah hidden there. Judas looks up, stylus raised,
"What is it, Master?" In
the next room, you remember, Magdalene is receiving a gift from the wealthy and
risen Lazarus. She will bring the gift to you, and the students will argue about
it. You say, "I have a lesson for you and you alone, Judas. Explain what
happens here." You lift your hand and the sad but graceful Magdalene enters the dining hall carrying her silver tray of cruets and crystal decanters. Myrrh. Rosemary. Olive oil. Your disciples stop playing backgammon in order to smell the passing tray. "You're
tired, rabbi," Magdalene says. "Let me take care of you." You lift the hem of your robe and lie back in the scarlet pillows of the divan. Mary sits at your feet, washing your calves and the muscles of your dark thighs. "I've never seen so much expensive oil used on one person before," says Judas, setting down his stylus. Mary
combs your gnarled hair straight. "Should the rabbi refuse a gift from
Lazarus?" she says in her sharpest voice. "Mary," you warn. Peter
stands abruptly, banging against his brother, Andrew. He scowls at Judas.
"Is there a problem, rabbi?" Ignoring
the oafish Peter, you ask, eyes shut, "Why does Lazarus have such expensive
oils in his house, Judas?" Judas
lowers his voice, speaks as though frightened. "Well, you raised Lazarus
from his grave. They -" "The
master deserves them, Judas," says Peter, finally realizing that a
lesson, not an argument, is taking place. In Peter's defense, you often blur the
distinction. "Today, the rabbi entered the holy city on his colt. Everyone
knows what that symbol means. These blessed oils are a christening for the
Messiah." You
flinch at the word. You flinch because you know it's your own fault that Peter
says such nonsense. You rise from the divan and your brown face shines, beads of
oil glittering in your curly, black beard. You whisper, "Do you know what
these oils are for, Judas?" Judas
doesn't sound as elated as Peter when he says, "I know they're for a
funeral. But not Lazarus'." Your
best student really knows, he must, this seventh time through these mad events.
He has to. He used to kill christs for a living. "Come, Judas. I have a
lesson I want to give you." Peter
and the others watch you stand and leave Lazarus's hall with the former
assassin. As you lead Judas into the vineyard and look down on the village of
Bethany in the outskirts of Jerusalem, you pull up your hood. You were born and
raised in the wild outback of Roman Palestine, so you hate the idea of anyone
seeing you slathered in fine oil. "I have a special lesson for you,
Judas." Judas
rubs his head. His hair is still growing out from his days as a member of the
violent Sicarii. "This lesson," asks Judas, "is about the
Messiah's Story, isn't it?" "You found it in the scriptures then? I'm not surprised. Tell it to me." Judas
looks at the moon like he's checking a calendar. "If you are right, the
Messiah's time has finally come. After his Baptism and Trial with Satan, the
Messiah rides into Jerusalem on a colt and destroys the Temple."
Judas,
sharp as always, has the basics of the story. You urge him on with a nod. "According
to Zechariah, the Liberator will be betrayed by one who dines with him,"
Judas continues quietly, "a confidante." "Betrayed?"
you prompt, quibbling with his Aramaic translation. "Well,
literally, 'handed over.'" You
close your eyes, impressed and grateful for Judas. "Go on." "Zechariah
prophesied that the Liberator will be arrested and tried before a king of this
world. Then the Liberator is put to death. Something horrible involving
nails." Judas stops with a catch in his voice. "You asked for a colt
this morning when we rode into Jerusalem." "Yes, I did." You close your eyes in regret. Then you pull back Judas's hood and kiss him on the cheek. Judas
grabs you and holds you in his arms. "No one will betray you. Didn't you
hear crowds today? They saw the Liberator riding into Jerusalem." "I'm
doomed, friend. We can't change that." After losing consciousness on the
cross, you continually return to Lazarus' home, after the parade through the
crowds of Jerusalem, thousands chanting Hosanna, Messiah! Welcome,
Liberator. Entering Jerusalem was a glorious moment, as Peter said, but you have
come to hate it, because it stands as evidence of your lost self. You thought
the image of a poor, backwater Nazarene riding a colt into Jerusalem would
ignite the jaded population's imagination, get them thronging to your sermon to
the capital. You were all too correct – what else were Jerusalem's citizens to
think of a rabble-rouser riding into town on a colt, except that you intended to
rally your people against Rome? Fool, you scold yourself. That's the opposite
message of the one you delivered at the Mount of Olives. Nails
drive through your memory. It's coming. Again. You can't escape it without
Judas' help. "The world is broken because of me." Judas
squints at you. "Are you the Messiah? Have you come to liberate Palestine
or not, rabbi?" To
Judas, and all of Jerusalem today, Messiah means sweeping revolution and
war against the occupying foreign army, not forgiveness, nor peace and
enlightenment. You brought those words home from your years meditating with
Eastern wise men beside that calm lake in Kashmir, and you wish you could show
Judas that a corrupt, cruel Empire has no power over Palestine, the Jews, or
Judas himself. But that requires a mind unshackled from millennia of
persecution, and you've shackled your students by using the word Messiah.
You arrogantly rode that colt and accepted the Liberator's welcome. Now the
world is broken because of you. "Master," Judas says, "the Sicarii paid me to poison Lazarus because he was telling everyone that you're the Messiah. After I killed him, I was terrified when you confronted me in the Bethany fruit market. If you are not the Messiah, then how did you know I was the one who killed Lazarus?" The
ghost of Elijah the Prophet once came to you as a sheet of flame while you
meditated in the desert. His light threw your shadow backward into time for
Zechariah and other prophets to see. Elijah told you, You must learn and
teach the lesson in Zechariah, the lesson of death. It's a lesson for bold
hearts only. Choose your students carefully. Only one of them will redeem you.
You peer at Judas as if he were a bright light streaking out of darkness.
"I knew it before I ever met you." "The
Sicarii asked me to kill you, too," Judas says. "But when you walked
out of the tomb behind the man I poisoned, you saved me from that wicked
life." "You
chose, I didn't choose it for you," you say. "When I tell you the
parable of the prodigal son, am I only talking about a wayward boy coming
home?" Judas
lightens the moment with his evil grin. "I always thought you were talking
about me when you told that story." Your
heart flows with excitement. Perhaps Judas is closer to understanding himself
than you realize. "Instead of a prophecy, maybe Zechariah's story is like
one of my parables, Judas." "So you think Zechariah refers to just anyone?" Judas scoffs. "You think everyone is the Messiah?" You wait to see that streaking light of understanding in Judas' eyes. But it isn't there. All you see is your own blunt and blocked future. Are the cosmos permanently broken, you wonder, or it just you and your mind that have been thrown into chaos? Do you alone see the world repeating itself, like a madman stuttering? You may never know. You may repeatedly live these seven days, again and again, until your whole experience is your body sagging away from your tied and nailed hands. You hope that it can be set right if you can reach just one of your students. This one. Your nostrils flare in anticipation. "If you want to understand what Zechariah is really saying, I think you must be the one to hand me over, Judas." Judas
snorts and his voice drips in contempt. "What? I have to betray you so I
can become the Messiah?" Your
hands are spread as if you will catch Judas midair. "Yes, Judas." "Then
what's supposed to happen?" Judas continues, his arms folded into a posture
of scorn. "Then as betrayer and Messiah, I must hand myself in? How does
this help Palestine? Your parables usually make more sense than this,
rabbi." Your
moment of hope darkens. The waxing moon has risen, you notice. The march to the
cross is one day closer. "Please tell me who you are. Isaiah? Elijah? Moses?" says Judas, breathless, a sheen of moisture on his chest. You
have been too obtuse, too desperate, you realize. "It is useless," you
say, turning back to Lazarus' manor, garlands of red bougainvillea trailing over
trellises. "I point to the sky to show you the sun, but you stare at my
upraised hand." Passover
starts in five days. Tomorrow, you will go to the Temple in Jerusalem and force
the foreign currency-changers and merchants from that once holy house. Judas
does hand you over, but only because he stopped believing you were the Messiah
and hated you for lying to him. The Arrest comes as it has six times before.
Then the Trial before the Roman, where you are whipped and beaten by his
soldiers. Then the nails. And the thorns. And the cross. Darkness.
Then more darkness. The
earthy smell of greens cooking fills this wide, upper room. "Why
is this night different from all other nights, rabbi?" asks Magdalene's
son, Johanen. You
face him, shaken and relieved, now that your body is whole again. Johanen is four, a curious, searching mind, and you treat him like your own son. As the youngest attending the dinner, Johanen asks the Four Questions of Passover, and you, the rabbi, answer each in turn. Chuza, Susanna, Magdalene and your mother - the same women who continually walk beside the soldiers in the Crucifixion detail - bring unleavened bread in baskets and set them around the low tables. Your
students found this room in which to hide tonight, paid the landlord to keep
quiet when he recognized your famous face. You scattered the Persian figs,
Egyptian kumquats, and foreign currency of the occupier all over the floor of
the Holy Temple yesterday; now there are Roman spies scurrying through the
streets, paying for news and listening for rumor of the Insurrectionist's
whereabouts. Eleven
of the students eat heartily, but neither Judas nor you can stomach anything.
You have only hours to reach him this time, you realize. Soon there will be no
returning to these quiet moments - Lazarus' house, walking Jerusalem's streets
with your students, or this secret, upper room. Soon, you will relive every step
up that steep hill to the crucifixion. Every hammer strike. Over and over.
Forever. After
the Four Questions are asked and answered, and after you tell the story of the
Jews' liberation from Egypt, you say, "Someone shut the door, please."
An
awkward pause ambles about the room. "Rabbi," says Andrew. "Shall
we not leave that door open -" "-
to welcome the Redeemer if he finally comes? No. Tonight it remains shut."
You set Johannen on the floor next to you and give him a pillow for his back.
You say, "Tonight, I must reveal all my secrets because the end is soon.
Hours away. And before it comes, you must all know who I am." Peter
says, "But we already know who you are, rabbi." You
smile at him, wan, bemused. Peter has the imagination of a rock. "And who
am I, Peter?" "You
are the Messiah. You rode into Jerusalem on that colt four days ago, and the
whole city saw you. The Romans, too. In your sermon in the temple, you wanted
the governor to know that Rome's coins are not welcome here. The Empire's reign
over us is finished." You
stroke your beard and say, dry as ashes, "That's right, Peter." The
students breathe a sigh of relief. Prayers are mumbled in thanks. Bearded faces
lift upward. Judas
stares in confusion at you. Does he guess what you mean, this seventh pass
through the lesson? Does he think you are blaspheming? Or that you are the
Redeemer? The
politicking Zealot, Simon, looks at the shut door and says, "How must we
begin the revolt? We're
ready. I've waited my whole life for your arrival, Master." "Then
you have waited for the wrong man," you say, just as dry as before,
"for I am not the Messiah." The
prayers cease. Eleven students looked betrayed. "But you said you are the
son of the Father," Peter says, shaking his head in irritation. "You
call yourself that all the time. What else could you mean but - ?" "Haven't you determined yet that each of you is the son of the Father?" you say. "This is why you must love one another. This is why you mustn't limit your compassion for anyone." Philip, his eyes brimming with tears, says, "Can't you just make it plain so that we can see with our own eyes?" "What
more can I show you?" Your face and ears feel hot. "The Messiah's
liberation and power are yours if you choose them." "Power?"
Peter says cautiously, "You mean God, correct?" This
is all that these thick-headed fishermen can imagine when they think of god,
and you can't hide your contempt for them anymore. "Yes, God and Elijah!
Moses! Demons and angels and miracles! Why can't one of you see it, when I've
been showing it to you for three years?" "But
you said when we came to Jerusalem, we would tear down the Temple," says
the Zealot. "What are we supposed to think except that you mean to drive
the invader from our lands?" "Is liberation just a political debate for you? How many times have I had this argument?" you cry to the ceiling, on the verge of crazed laughter. "How many more times do I have to say these words until one of you listens to what I'm really saying?" You stare at Judas, who knows the Messiah's story better than anyone. "All I need is one of you." "It's
me. I'm listening. I am," says Peter, utterly sincere. You
laugh and shake your head. "Then tell me what I'm saying, you rock." "You
are looking for a lieutenant - to rule when you're away - from your Heavenly
Kingdom. Simply choose, rabbi. Which of us will sit at your right hand in
heaven?" Eleven
men lean forward, hungry for the answer. You stretch back against the rough stone wall, head in your hands. Mary kneels next to you stroking your hair, watching you with concern. You lift your head and scowl at Judas. Your eyes burn. "I am the Messiah. I am not the Messiah. I am the Messiah. I am not the Messiah." Half
the students try to puzzle your meaning, the other half looks at you as if
you're insane. You
resign yourself to your horrific, inevitable ending. Jaded and tired, you say,
"The High Council is waiting for the one who will hand me over. Tonight,
one of you will turn me in to the Pharisees' police." The
disciples scramble to stand up, as if soldiers were trunching up the steps.
"What? Who, rabbi? Which of us?" "Why?"
says Judas with incredulous anger. "Why must one of us hand you over?" "We all look alike to them," you say. "It must be someone who they know is a friend of mine. One of my students." This
long, airy room suddenly feels humid and cramped. Peter shouts, "If you
know who it is, say! I'll kill him for you!" "Let's find out who it is," you say. "For only one of you is strong enough to learn the lesson that accompanies the deed." You take a small circle of matzo and break it, then you dip it in the bitter greens and salt water. "It's a foul bite, not for the weak." You hold it over the low table. Everyone at the supper stands perfectly still, frightened of you. When no one moves, your hand trembles. The thirty-nine lashes. The mailed fists of the crucifixion team. Your own sweat stinging in your wounds. Will it happen an eighth time? You bow your head, bread offered to the air. Finally Judas rises. He stands in front of you across the low table, then he kneels. He bites the salty mustard greens and matzo from your hand, kissing your fingertips as he does. You
lift your head. You watch Judas eat. Can it be that he finally understands? "You!"
says Peter. Judas
swallows the greens and bread. "I do it because you are the Messiah. This
city is at your disposal, rabbi. Rally us, and Jerusalem will rise up." "The
world is a sewer of lies," you say. You pick up the bowl of wine that had
been set aside, as tradition dictates, for Elijah. You drink from it, then hand
it to Judas. You've given up hope that he can become like you. While Judas gulps
down wine, you say, "You know the Story. Go and do what you must do." "Assassin!
You don't deserve to be at the master's Passover!" says Peter, rising,
jostling those next to him. "You don't deserve to drink from that
cup!" Judas
gets to his feet unsteadily and then runs downstairs. You
leap over the low table and hold Peter fast until you no longer hear Judas'
footsteps. "You
can't let him go!" Peter struggles in your embrace, though you know he
could flatten you if he wanted. Peter stops fighting and lets you hold him. He
lifts his wet eyes. "How could you let this happen, rabbi?" "I can't stop this, Peter, and neither can you," you say. "Only Judas can." Peter relaxes, confused, but he trusts you like a loyal herd dog trusts his master. Some of the other students stand. Some sit with hands covering their faces. Only Magdalene and Johanen look you in the eye with anything like kindness. The
Arrest comes later that night. Then an eighth brutal whipping, and an eighth
execution. Then
darkness. And more darkness. "It's
useless," you are praying. You
have walked out of the Passover celebration after the disciples argued about who
would be your right hand man in Heaven, as they always do. Judas took the bait
you offered him. When he drinks from Elijah's cup, it always looks as if Judas
might understand you and what the Messiah is, but after eight times through, you
know it's heat lightning, not a true stroke of enlightenment. The next time
through your march to the cross will be your last. After that, you will spend
eternity having nails driven into your hands. Alone in a silent glen, you meditate sitting cross-legged as you did in the desert when the shaitan came to distract you, as you did with the monks in the mountains of Kashmir, when enlightenment and compassion blossomed in your heart. Your mind empties into one final moment of peace and total happiness. You look up when you hear armor clattering and scabbards smacking against legs. The soldiers have come. They're just beyond the hedge. Your students, sleepy from the Passover meal, are snoring on the lawns of Gethsemane Garden. You stand, because next, Judas will walk through the gate in front of you. But from behind you, you hear footsteps. This is new. You turn and see a hooded man approaching from the direction of the house where you ate your eighth Passover meal. If it is Judas, he wears a different robe for this ninth Arrest. You see that the robe is yours, a fine white linen one given to you by the extravagant Lazarus. "Rabbi," comes Judas' quiet voice from beneath the hood. "The Romans are beyond that hedge of olive trees by the Gethsemane gate. They want me to kiss the insurrectionist, to point you out." He sounds almost happy. Confident. Why not? Judas obviously thinks he's lighting the fuse on his glorious revolution. You say, "Let's get this over with. I'm ready." Judas
stands several paces from you. His hood turns in the direction of the sleeping
students for a moment. "This is the hardest thing I've ever had to do,
rabbi." You keep your hood up, a moment more of anonymity before the public glare of the trial begins. "Bless you and protect you forever and ever for doing this, Judas." Judas opens his arms. You
step into the older man's embrace. Judas pulls his own hood back. You crane your head away, trying to get a better look at him in the dark. He doesn't have the short-cropped hair of a Secarii assassin anymore. He has a long, dark beard and the gnarled mane of a holy man. His face is dark from many weeks of meditating and teaching in the desert sun. Judas looks exactly like you. "Master," says Judas. In
wonder, you say, "What has happened?" Judas smiles with your straight, white teeth. "As Moses once said, I have been to the mountain top." You
see a light in Judas' eyes - a streak, a burn. More, you feel a peace in Judas,
something you have felt in no living man since leaving the tranquil ascetics of
Kashmir. "You've had an interesting evening." You exhale the words in
amazement. "Have I finally been heard?" "It
happened tonight when I drank from Elijah's cup. Me. An assassin. I realized
that since you saved me from that life, I should save you, rabbi. That's what
your teaching was all about, right? And so I will. I'll save you." Judas
keeps beaming those bright eyes into yours. "Your wish has been answered.
My mind has been liberated," he says, "and you are free at last,
Nazarene." "What?" "Messiah,
I am the Messiah," says Judas with his wry, trickster's grin, "so I'll
walk the rest of the way from here for you. Now kiss me one last time before I
go." You
want to ask questions, congratulate him, pray. Instead, you embrace Judas and
kiss him as hard as you can. "You can't do this," you say, lips
pressed against his cheek. "You have no idea what -" Bright, yellow light fills the glade as the soldiers decant their lanterns. "Joshua of Nazareth," comes a Roman accent from behind the light, "you are surrounded and outnumbered. Step away from your betrayer." You
and Judas step away from one another. A
mob of soldiers scramble into the glade separating the sleeping students from
you and Judas. Two large Romans seize Judas and pin his arms behind his back. He
cries out, twisting in their grip. A soldier shoves you back hard and you land
on your behind, sandals in the air. The soldier leans over you, his face filling
your vision like another moon. "You kissed the criminal for us. Well
done." He jabs a stubby finger at your nose. "Now stay out of
this." You
reach up to push your hair out of your eyes. But it is just stubble now, the
shorn hair of a former Secarii. "You are Joshua . . . no, wait -" the captain reads from a scroll, "Jesus of Nazareth who claims to be the King of the Jews?" Judas
says, "Those are your words. I have never called myself a king." The
captain rolls up his scroll, places it neatly in its sheath at his waist, then
slugs Judas in the face. Judas
falls back into the arms of the Romans, laughing, blood from his broken nose
dripping into his mouth. So
it begins for Judas. And
so it ends for you. You
watch Judas as the Romans tie him and drag him away. "Hosanna!" you
cry, but the gang of soldiers drinks Judas up and you can't see him anymore. You
watch the armored backs of the soldiers as they march swiftly to their garrison.
You call after your greatest student, "Hosanna, Messiah!" Then
you throw back your head and laugh harder than you have ever laughed before,
while overhead the universe spills its stars for you.
Copyright © Barth Anderson 2004 Photo Copyright © Eric Marin 2004 About the Author:
Barth Anderson's short stories and
articles have appeared in venues ranging from Asimov’s, Strange
Horizons, and Mojo Conjure Stories to The Cooperative Business
Journal, Rain Taxi, and Sideshow
at The Modern Word. His short stories have been honorably mentioned
in The Year’s Best Fantasy and Horror, and his story "Lark
Till Dawn, Princess" recently won the Spectrum Award for best short
fiction.
Lone Star Stories * Speculative Fiction and Poetry * Copyright © 2003-2004
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