Die
Rache
by Steven Utley
There
is no pain at first, nothing that can be fixed in mind as being distinctly
unpleasant, only a vague sense of tissues having been squeezed and stretched and
pulled in all the wrong directions. There
is something familiar about these sensations, something that frightens him.
He tries to remember what is supposed to happen next.
Something
is supposed to happen next, of this much he is certain.
The harder he tries to remember, however, the more confused he becomes.
Vivid but fragmentary impressions overwhelm him: the image of himself as
a young child, eating black bread and cabbage soup in his mother’s kitchen;
the smell of wet shoes drying near the stove; the image of himself as an even
younger child, nervously reciting his first lessons in numbers to his father, eins,
zwei, drei, vier, fünf;
faces like masks of stone, and his own voice, pleading.
He tries to stop the rush of images, tries and fails and is borne by them
to the old places, the old times.
There
is a girl named Hilda who parts her great pale thighs and draws him into
herself. There is a vast and
unexpected sadness afterward.
There
is the taste of ashes in the air, and he is clawing through the rubble, pulling
out the pulped bodies, cursing the deadly efficiency of the enemy bombardiers,
the ineffectual Luftwaffe, the shattered bricks and stones as they shred his
gloves and tear his hands. How
many more times must I endure this? he demands.
Haven’t I suffered enough? “Not
nearly enough,” someone murmurs.
A
stone seems to sit in the pit of his stomach: now he is pushing bodies into the
trench; the stench of putrefying flesh cuts through his cloth mask, forcing him
to breathe as shallowly and as infrequently as possible.
God in Heaven, he cries, how many more times?
When is this going to stop? “When
the scales are balanced,” comes the reply.
The
pain and horror suddenly swirl away. A
great happiness settles upon him. All
is right with the world now. He
stands at attention, proud in the black uniform of the Schutzstaffel, his gaze
fastened upon the dully gleaming coal-bucket helmet of the man in front of him.
The very air shakes with a sound like the laughter of God as, on cue, he
and all the others give joyous utterance to a shared sense of mission, of
destiny, sieg Heil! sieg Heil! sieg HEIL!
And then the laughter of God becomes mocking, becomes the yowling of
sirens, the muffled reports of distant anti-aircraft batteries, and the
maddening drone of the bombers as they pass above the city and methodically
punch it into the earth. He huddles
with the others in darkness deep under the city, softly moaning to himself,
wincing as the shrill whine of falling bombs is first punctuated and then
drowned out by explosions. The bombs
are landing close now, too close, all around, seemingly right on top of him.
Dust and flecks of stone drift down from the ceiling.
Then the bombers move on, the explosions keeping pace.
“Do
you know where you are?” someone says.
“Yes.”
He is in the bunker, waiting for the all-clear signal to be given.
The taste and feel of dust is in his mouth, up his nose, on his face and
hands. The man sitting beside him
coughs. Someone else sighs and makes
a lame joke, and there is nervous laughter.
It is good to be alive, he thinks, it is so very good to be alive.
The hours pass slowly, however, and relief becomes restlessness.
Somebody asks for and is angrily denied permission to smoke a cigarette.
At last the Oberleutnant gives the order to go up.
They ascend through pitch darkness and emerge into Hell. His
own incredulous horror is reflected in the faces of his comrades as they survey
the destruction. Awe and fear are in
the Oberleutnant’s muttered curse. There
is the taste of ashes in the air. The
ashes of the razed city. The ashes
from the crematorium.
. . .
the crematorium. He frowns.
The images begin to warp. Perspective
becomes distorted. But the
crematorium was later, he thinks in panic.
Much later and nowhere near the city, and again someone asks, “Do you
know where you are?”
And
then, so suddenly that he gives a wordless cry of alarm, his scrambled sensory
perceptions sort themselves out. He
is cold, and there are dull, throbbing aches in his marrow bones, the feel of
needles under his skin. He can focus
his eyes, and, hovering between him and the ceiling, there are faces like masks
of stone. He can hear, and one of
the faces speaks his name like a curse, spits it at him as though it tastes foul
and brown on the tongue. He knows
where he is and what this is: die Rache; the revenge.
He begins to plead with the faces in a hoarse voice, “No more, please,
no more . . . .”
“You
know the charges,” one of them says in flawless German.
“You have been judged guilty. The
sentence must be carried out.”
He
groans and lies panting in the cold room, enduring the touch of their hands as
they attend to his physical needs. There
are no hesitations upon their part, nor is there urgency.
Their precision and their imperturbability are machine-like.
He says, “Monsters,” and the word comes out a sob.
“But
of course. We --” the speaker
indicates herself and her three or four associates with a casual flick of her
hand “-- are indeed monstrous human beings.
Not just anybody would be able to accommodate you in the manner you so
richly deserve. Not just anybody
would have the stomach for this. We
are fiends in flesh, even as you.”
“Even
as I? This . . .this is
inhuman.”
“This
is necessary.” The speaker’s
voice is cool and neutral. “By now
you surely understand how it is. We
are performing a long-overdue exorcism, driving out an old and terrible demon.
We are laying ghosts to rest here. And
you are absolutely necessary. You’re
the last one, the only one left in the entire world as far as we’ve been able
to determine. The others, great and
small, have been dead for many years now. This
makes you extremely precious to us. Fortunately,
with the technology at our disposal, you’re also endlessly recyclable.”
“I
won’t let you do this to me any more!”
“The
sentence must be carried out. We
have our mission. You have your
destiny.”
“
“Until
it’s over and done with.”
“It’s
been over and done with for more than three quarters of a century!”
“Nevertheless--“
“What
can it mean to you? What
difference can it make? You
weren’t even born then. You’re
hardly more than children now, how can you possibly care?
And I, I wasn’t important then, I was only a common soldier.
I gave none of the orders. I
committed no murders. I drove a
tractor!”
“You
dug graves and put bodies into them. You
were there. You were part of it.
Others may have issued the orders, others may have been responsible for
policy, but they’re dead and out of our reach.
Someone has to pay. Someone
has to put the scales in balance, and you’re the only person left who can do
that.”
“I
have paid, damn you! Paid,
paid, paid!” He looks from
face to face to impassive face. Masks
of stone. “What do you want?
How many more times can you do this to me before you’re satisfied?”
The
speaker shrugs and says, “Something fewer than ten million times now,” and
then they put him back to death for another day.
This story first appeared in The Daily Texan's Images in 1981.
Copyright © Mankind Publishing 1981
About the Author:
Steven Utley, a founding member of Texas' Turkey City writers group in the 1970s, is the co-editor (with Geo. W. Proctor) of an anthology of fiction by Texans, Lone Star Universe (Heidelberg Publishers, 1976), and the author of Ghost Seas (Ticonderoga Publications, 1997), The Beasts of Love (Wheatland Press, 2004), Where or When (PS Publishing, 2005 [UK]) the perennially soon-to-be-finished Silurian Tales, and two volumes of verse, This Impatient Ape (1998) and Career Moves of the Gods (2000), both published by Anamnesis Press.
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