The
ghost of the librarian peruses as I pack
the OED
in twenty Alexandrian volumes
into
milk crates, shut to slabs, transparent
to an
insubstantial reader—or
a failed poet,
a petty
clerk with a taste for dime-store novels,
fleshed
around the reminiscence of rustled pages
and
pen-dipped ink; who might never have laid
ten
words together in his life, but his memory
browses
on them like blood. Laylight. Parcel-
gilt.
Silicited. In branch-sieved streetlight,
half-asleep, I hear syllables in settling dust
and the
copper-throated clank of plumbing,
pigeons’
wings ruffling on the sill; osmosis
from
closed covers into call and catechism,
the
resurrection and the life. Mannerist.
Resplend. As though he would talk himself
back
into his body, each bare shelf meticulously
brushed
clean as I subtract Renault from Sutcliff,
Graves
from Jeffers, his attention clouded
over my
shoulder like a held breath: stray glints
at the
corners of my sight, the glasses
his
shade stubbornly wears; my hands itch
with
writer’s calluses ground into his fingers
by
accounts, not inspirations; but I lay away
Propertius and Kallimachos and Saint Augustine
and
wonder, if I parted the pages now, what
impress
would their paper retain? Tinful. Washy.
Falciform. He catalogues, drinks and devours.
all the
books I curl up to read will be blank.
About the Author:
Sonya Taaffe has a confirmed addiction to
myth, folklore, and dead languages. Her poem “Matlacihuatl’s
Gift” shared first place for the 2003 Rhysling Award, and poems
and short stories of hers have been been nominated for the
Gaylactic Spectrum Award, the Pushcart Prize, and the Locus
Award, shortlisted for the SLF Fountain Award, and honorably
mentioned in The Year’s Best Fantasy and Horror. A
respectable amount of her short fiction and poetry can be found
in Postcards from the Province of Hyphens and Singing
Innocence and Experience (Prime Books). She
holds master's degrees in Classics
from Brandeis and
Yale.