She leaned in on him from year to year,
glancing as the moon through a late-slipped latch
at the withering of apples, the spring of anemones,
the shuttle tightening ceaselessly flax on flax.
Handfast in garlands of hedge-rose, he wed
a sun-marred woman to her wrists in mending,
yet not unkind when he shivered up at daybreak
to douse his head of dreams: nights he brawled
in the borrowed rhyme and swagger of heroes
unknown from Athens to Avon, but next she spied
from mist-strung gossamers, the girl walking
grave and restive with an apronful of cherries
likened to none of his hectoring shyness save
her eyes, dark as dusk in June. Cow parsley,
the rusting of clipped coin. Weeds by the door
brimmed with rain, each cold and autumnal drop
glittering like love-tokens on sleeve and shin
netted him less hardly than time; his hands
raw-knuckled and wrinkling as his own linen,
his upstart hair as frost and charcoal now
as the Midas ears she had caressed in dotage
among the cowslips. Nor his heart to report
what my dream was . . . Untold of its secrets,
she touched his fond and fallen, mayfly face
once and lastly, as lightly as the small rain
she faded between. The wind through the skene
of ivy and honeysuckle cried rag-and-bone.
About the Author:
Sonya Taaffe has a confirmed addiction to
myth, folklore, and dead languages. Her poem “Matlacihuatl’s
Gift” shared first place for the 2003 Rhysling Award, and poems
and short stories of hers have been been nominated for the
Gaylactic Spectrum Award, the Pushcart Prize, and the Locus
Award, shortlisted for the SLF Fountain Award, and honorably
mentioned in The Year’s Best Fantasy and Horror. A
respectable amount of her short fiction and poetry can be found
in Postcards from the Province of Hyphens and Singing
Innocence and Experience (Prime Books). She
holds master's degrees in Classics
from Brandeis and
Yale.