The Frog-Wife
by Catherynne M.
Valente
Lean down to me,
to my green and dripping mouth—
I will tell you a secret.
Frogs keep secrets like flies:
black and sweet, under the
tongue,
squelching under swamp mud,
under webbed feet,
under rotting cattails.
Lean down to me—
lean down, I cannot reach—
lean down,
down to me,
and I will lift my long red
tongue.
That day—
that day when the sun
was silver in the marsh-fog—
that day I did not catch
your arrow in my mouth.
I meant to catch it—
I meant to dazzle you
with my dexterity,
with my grace. But
the silvered sun flashed in its
feathers,
and it entered the loose and
mottled skin below my lip
cutting through the thin
jaundice-yellow flesh—
and if I had been singing just
then,
if it had been full as a little
wet moon,
the shaft would have killed me.
Instead, it punched through my
silence
like a fist through gauze,
and the roof of my mouth broke
open—
blood splashed down
as through a thatch,
as if it meant to fall neatly
into a tin pail,
and could not understand
why there was nothing to catch
it
but my wide, quiet throat.
I drew it out of me, wrapped
in willow-whip-fingers,
and I did not cry,
for frogs cannot.
It pulled loose
like a lover leaving my body.
And you came just then, just
then,
dragging slime-scoured boots
through salamanders’ nests—
you came just then,
when I held your arrow in my
little hand,
surprised at its weight,
coughing back my hanging strips
of skin,
and staring,
staring
with these old black
unweeping eyes.
I swallowed my own blood,
and the silvered sun was behind
you
like an icon set carefully
on a cracked and dusty mantle.
I swallowed it all,
though my ribboned throat
flapped like a drowning thing.
I swallowed—
and held out the arrow to you,
with a maiden’s well-bred
smile.
You did not see my blood’s
sheen
or how the feathers stuck
together,
slippery and red.
But you covered my
bald green head
when the rain came
with the tails of
your fur-trimmed coat,
and I was so warm, Ivan
Tsarevitch,
so warm,
against your skin.
The thatch of your house never
leaked,
and my head was never cold—
each night you lay closer to
me,
and each night I smelled less
and less
of eels and grasshoppers.
Each night you came nearer to
me,
and I thought the three rubbery
chambers
of my marsh-sodden heart would
seize
like three struck drums.
And once—oh, once!—you put your
hand
over my throat,
and for a moment I thought you
knew,
I thought you knew.
But you moved in your sleep
and your fingers, your golden
fingers,
fell away.
And I would whisper,
when the night brought you to
me:
Kva, kva, Ivan Tsarevitch?
Why do you look so sad?
I think,
I think I only wanted
to hear you speak to me
like a wife.
Kva, kva, Ivan Tsarevitch?
Why do you look so sad?
Even so I wove you the shirt
you wanted,
though my wet, bulging hands
bruised and bled under the
needle.
Even so I baked you bread you
wanted
and glazed it over with honey,
though my leaf-colored fingers
blistered on the oven.
Even so I made myself a woman,
because you wanted it, Ivan
Tsarevitch,
because you wanted it.
And I wore nothing but white
and silver—
save that I could not wear
those pretty shoes,
I could not fit their arches,
but laced up long boots
to hide the spider-pale webbing
still strung between my
woman-toes.
I know you only wanted to keep
me—
I should not have put those
pearls in my hair;
I should not have caught up my
waist in silk,
it was too soon, too soon—
but I only wanted to keep you.
It is all right.
I forgave you
before you ever found that
little bundle
under the stairs,
all wrapped up in tamarind
leaves.
I felt it in my throat first,
that old scarred sac
that once bellowed at the moon—
I felt it there, like the
arrow,
a scald, as though a bubble
had burst in a boiling pot.
I clutched at the place
where you first entered me,
clawed at it, and could not
breathe.
You burned up my skin, Ivan
Tsarevitch,
and the emerald of it,
the emerald which cost me so
much,
turned black
and curled in at the edges
like a ruined book.
It is all right.
I do not mind
that you could not wait.
I wanted you, too,
and some days
the skin weighed so heavy
my bones wept.
Happily, oh, happily
have I bled and burned for you,
Ivan Tsarevitch,
happily have I torn open
both a wide, rose-strewn breast
and a muddy cheek,
cold and small.
Because we could not wait,
you and I,
I am lying on the edge of the
sky,
and my legs have long swung
over.
But because of that slashed
song-sac,
because of those scorch-tracks
on the skin,
I know you
are even now
listening to the tinny voices
of rabbits
and ravens
and pike flashing
in running water.
I know you
are even now
sleeping with the fur-trimmed
coat
against your unshaven face.
I know you
are even now drawing that old
arrow
from your beaten leather
quiver.
and I know
you see it—
you see it suddenly,
in a flash of sun,
showing silver through the fog,
my blood,
my first blood,
still bright and slick
along the stiff fletch of
feathers.
About the Author:
Catherynne M. Valente’s work
in poetry and short fiction can be found online and in print in such journals as
The Pedestal Magazine, Fantastic Metropolis, The Women's Arts
Network, NYC Big City Lit, Jabberwocky, Mythic Delirium,
Fantasy Magazine, forthcoming issues of Electric Velocipede,
Cabinet des Fees, and Star*Line, and anthologies such as The Book
of Voices (benefiting Sierra Leone PEN), The Minotaur in Pamplona,
and The Year's Best Fantasy and Horror #18. She has authored a chapbook,
Music of a Proto-Suicide, the novels The Labyrinth and Yume no
Hon: The Book of Dreams, and two collections of poetry, Apocrypha and
Oracles. Forthcoming works include novels The Grass-Cutting Sword
and The Ice Puzzle, as well as her first major fantasy series The
Orphan's Tales, which will be published by Bantam/Dell in 2006. She
currently lives in Virginia with her beloved husband and two high-maintenance
dogs, having recently returned from a long residence in Japan.
Poem © 2006 Catherynne M. Valente.
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